There are at least two more remarkable aspects of this release besides the music - the guest vocal appearance by Efrem Schultz of Death by Stereo in “Son of Lies”, which is probably one of the standout tracks here, and the amazing artwork by the comic artist Alex Pardee. “Conviction” is Aiden’s third release, not counting last year’s EP “Rain in Hell”, and if somebody’s expecting the corpsepaint and emo attitude to be removed, be warned that none of those has changed. Musically, however, Aiden seem to significantly improve their sound by making it more atmospheric and, let’s face it, popish. Like other bands hailing from the modern punk/emocore scene, Aiden have completely switched from the half screaming/half singing approach to just singing. What’s more, songs like “Hurt Me” and “Darkness” show progress in songwriting. Talented enough, the band undertakes a risky move that can either send them to the top or throw them off board for a long time. Judging by “Conviction”, it was worth trying. Listening to it is an extremely pleasant, sometimes relaxing if not nostalgic experience. Be it the up-tempo “Teenage Queen” or the almost dark wave piece “One Love”, this album has numerous catchy ways to trap your attention. It’s good songs that matter after all, and Aiden have learned the most important lesson: It’s not necessary to complicate your music in order to be respected. Quite the contrary, simple things always touch people at once. The songs in “Conviction” are brilliant with their lucidity, genius piano parts and sensitive choruses. Personally I would stick this album with glue in my car stereo if it was possible, and I’m sure that if you are into 18 Visions, Roses Are Red and AFI, you will do the same. Then play it like hell, all the way to high school!